- 1/1 (0) G (392 Hz)
- 81/80 (1) G↑
- 64/63* (2) G‡↓
- 33/32 (3) G‡
- 28/27* (4) G‡↑
- 21/20 (5) G#↓
- 16/15 (7) Ab↑
- 12/11 (9) Ad
- 11/10 (10) Ad↑
- 10/9 (11) A↓
- 9/8 (12) A
- 8/7 (14) A‡↓
- 7/6 (16) A‡↑
- 32/27 (18) Bb
- 6/5 (19) Bb↑
- 11/9 (21) Bd
- 5/4 (23) B↓
- 14/11 (25) B↑
- 9/7 (26) Cd↓
- 21/16 (28) Cd↑
- 4/3 (30) C
- 27/20 (31) C↑
- 15/11* (32) C‡↓
- 11/8 (33) C‡
- 7/5 (35) C#↓
- 10/7 (37) Db↑
- 16/11 (39) Dd
- 22/15* (40) Dd↑
- 40/27 (41) D↓
- 3/2 (42) D
- 32/21 (44) D‡↓
- 14/9 (46) D‡↑
- 11/7 (47) D#↓
- 8/5 (49) Eb↑
- 18/11 (51) Ed
- 5/3 (53) E↓
- 27/16 (54) E
- 12/7 (56) Fd↓
- 7/4 (58) Fd↑
- 16/9 (60) F
- 9/5 (61) F↑
- 20/11 (62) F‡↓
- 11/6 (63) F‡
- 15/8 (65) F#↓
- 40/21 (67) Gb↑
- 27/14* (68) Gd↓
- 64/33 (69) Gd
- 63/32* (70) Gd↑
- 160/81 (71) G↓
- 2/1 (72) G
The music and writings of Danny Wier, a composer/musician based in Austin, Texas who dabbles in philosophy, history, politics and everything else.
13 June 2014
Partch Plus in my 72edo notation (rough draft)
The ratios of Partch's 43-tone just scale, plus some ratios I added (marked with asterisks), notated in my 72 equal temperament notation (quarter tone accidentals plus arrows for morion adjustments).
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